In this episode we talk to Caitlin Trainor, the Founder and Creator of Dancio. Dancio is a platform that provides online dance classes with some of the best teachers in the world. Starting from the need for a simple warm-up tool, Caitlin created a platform with the potential to bring top-notch training to dancers in geographies with limited access, allow new professional dancers to keep up with class without breaking their bank, and even bring the healing power of dance to people around the world who, without formal training, may be shy about walking into a class. After this conversation, we can truly see, as Caitlin does, Dancio’s potential to affect us as individuals and as a society.
Dancio was recently written up inPointe magazine. Still in its early stages, there are 4 ballet classes available, with teachers Julie Kent, Carlos Lopez, Craig Hall and Lauren King. You can sign up here for a free barre with Julie Kent!!
Named as one of the “25 to Watch” in 2016 by Dance Magazine, Caitlin herself is a choreographer, performer and the artistic director of Trainor Dance. She is also a member of the faculty at Barnard College/Columbia University.
In this episode, Jessica was in Havana, Cuba interviewing Marta Ortega, a dancer with Acosta Danza. Acosta Danza was formed in 2016 when international ballet star, Carlos Acosta retired from a highly regarded 30-year ballet career with the Royal Ballet and moved back to Cuba. The company commissions international choreographers such as Mats Ek and Sidi Larbi Cherkaoui to create original contemporary works on its dancers. In 2018, Acosta Danza will perform in Havana and tour in the US, Europe and Singapore. Learn more at http://www.acostadanza.com/en/
Acosta Danza will perform at New York City Center April 25-27th as part of the ¡Adelante, Cuba! Festival. Get tickets here.
A Note from Jessica:
After my interview with Marta, she showed me a video of her and Carlos performing a recent piece by Sidi Larbi Cherkaoui at Sadler’s Wells in London. It was clear that she is a versatile, powerful and natural contemporary dancer with a strong ballet foundation, stemming from her traditional ballet and modern dance training in Havana. The vibrant dance scene in Cuba is part of a prominent cultural tradition of contemporary art in Cuban society which can be seen in galleries, murals, street art, and institutions throughout Havana, including Fabrica de Arte Cubano, a contemporary arts venue presenting visual arts, live music, dance, and film screenings in a fun party-like atmosphere where one can drink, eat, wander around galleries, and then make their way to a DJ-dance floor.
Cuban performance artists are increasingly being shown in the U.S. Recently, the Walker Arts Center in Minneapolis presented a series of Cuban artists. After our interview, Marta expressed that there are a great number of talented dancers in Cuba and she wished there were more opportunities for them to be supported and presented. Unlike most Cuban dance companies, Acosta Danza receives external funding from private international donors (and a partnership with Sadler’s Wells) which allows the company to commission international choreographers and provide more opportunities to its dancers, like exposure and touring opportunities. It will be interesting to see how this international focus will influence Cuban choreographers in such an established and rich tradition of dance.
More about Marta Ortega:
Prior to joining Acosta Danza, Marta danced with Danza Contemporanea de Cuba. Hailing from Havana, Cuba Marta Ortega trained at the School of Ballet “Alejo Carpentier,” National Ballet School of Cuba and the National School of Art. In 2006 she participated in international cultural exchanges in Italy and the Netherlands. In 2008 Ortega won first place in her specialty at the National Contest of Schools of Art. In that year she graduated with honors and joined Danza Contemporánea de Cuba. In this company, led by maestro Miguel Iglesias, she reached the rank of principal dancer, and danced in Casi Casa by Mats Ek; Equation, Carmina Burana, MeKniksmo, Mambo 3XXI,Identity- 1, Matria Etnocentra by George Céspedes; Demo-N / Crazy by Rafael Bonachela, Folia and Compass by Jan Linkens, Sombrisa by Itzik Galili; Horizons by Pedro Ruiz; Reversible by Annabelle Lopez Ochoa;Tocororo, Cuban fable by Carlos Acosta; Cuban tangos by Billy Cowie;Capricis by Angels Margarit; Crystal and Mercury by Julio César Iglesias and Transire. Not wanting to look back by Norge Cedeño. As part of the cast of The equation, by the Cuban choreographer George Céspedes, in 2010 she won the Audience Award at the 24 Internationaler Wettbewer fur Choreographen in Hannover, Germany. She graduated from the University of the Arts in Cuba (ISA) with Golden Title Bachelor’s of Art in Dance, specializing in Contemporary Dance. Since 2015 she has been part of Acosta Danza where she has danced Alrededor no hay nada, by Goyo Montero; De punta a cabo, by Alexis Fernández (Maca); and Carmen, by Carlos Acosta.
Marta spoke Spanish during the interview. Read her fully transcribed interview in English and Spanish here.
In this episode of Pod de Deux podcast, Clara and Jessica interviewed Stephan Quinci while traveling in Berlin. Originally hailing from Italy and Ohio, Stephan now calls Berlin his home where he collaborates with artists and investigates his own performance work. Stephan shared how his current training in release technique influences his performance work and free expression on the Berlin Club dance floor. We talked about his dialectic process for creating conceptual performance, and the European performance landscape.
Following graduation from Kenyon College in Ohio, Stephan was invited to create an installed performance dialogue at the former MINT Gallery, a collective art and project space in Columbus, Ohio. Shortly after that, he relocated to Berlin, Germany.
In Europe, Stephan has been involved in numerous solo, group, video, and performance projects and collectives. He has performed works by Isabel Gotzkowsky, Sarah Grether, new media artist Leonard Traynor, and, most recently, he took part in MoDem Pro with the Compagnia Zappalà in Catania, Italy.
Stephan’s most recent personal project, Extract, has evolved from video to performance installation. It includes two parts, one of which premiered in Italy and the other of which is still a work in progress.
In this episode we connected with our first dance-maker specializing in Indian Kathak dance! Barkha Patel gave us a fascinating, in-depth look at the intricacies and history of Kathak technique while describing her own experience learning and presenting Kathak. Along the way, we talked about how dance can reflect, imbibe and transform a dancer’s personality, and Barkha told us about her first full-length production with Barkha Dance Company, set to premiere in 2019. We hope you’ll be as excited to follow Barkha’s work as we are after this interview! See a video of Barkha in action here and be sure to subscribe to her channel. You can also follow Barkha on Instagram.
Barkha Patel is an Indian Classical Kathak dancer based in New York. She has been trained in the Jaipur and Lucknow style of Kathak by her Guru, Rachna Sarang, and is currently also training in Bharatanatyam with Deepak Mazumdar and Hindustani rhythm with Pandit Divyang Vakil. Barkha completed her Master’s in Kathak Performing Arts from the Kalidasa Sanskrit University in Nagpur, India.
Through Barkha Dance Company, Barkha teaches classes in New York and New Jersey that help students become more aware of their physical strength and grace while learning the history and culture of the Indian heritage. She is currently working on her first full length production due to premiere in 2019!
Under her Guru’s guidance, Barkha has assisted in teaching productions that have been presented in both the United States and India. She presented her own debut solo in New York City in 2014, and she has travelled to many cities in the U.S and India (Gujarat, Bangalore, Mumbai) to perform Kathak solos. Other notable performances have been for former Prime Minister of India, Atal Bihari Vajpayee, and music virtuoso Pandit Jarajji.
In this episode of Pod de Deux, Clara and Jessica interviewed performance curator, Ali Rosa-Salas, who serves as the Director of Performance Programs at Abrons Arts Center. We spoke about the many roles of a performance curator and how Ali approaches her work at Abrons as she strives to create a place for inquiry and community. In the process, we learned about the history of Henry Street Settlement and its founder, Lillian Wald. Clara joined Ali and Jessica via skype from Minnesota where she was visiting her family for Thanksgiving.
Ali oversees the curation of Abrons Arts Center’s performance season with Artistic Director Craig Peterson and manages artist relations. As an independent curator, she has produced visual art exhibitions, performances, and public programs at Danspace Project’s Food For Thought Series, AFROPUNK AFTER DARK 2015, Knockdown Center, MoCADA, MINKA Brooklyn, Weeksville Heritage Center, and more. She has also organized discursive events as an Alumnae Fellow at the Barnard Center for Research on Women, with Movement Research as part of their Studies Project platform, and the DISCOURSE series as the Associate Curator of the 2017 American Realness Festival. Ali was co-founder of the curatorial platform MAMI (2016-2017), which produced a music compilation, an exhibition, performances, and nightlife with NON WORLDWIDE, Fake Accent, BUFU, BBZ London, GET ARTISTS PAID, and over 150 DJs, artists, collectives, and activists. She graduated from Barnard with a B.A. in Women’s, Gender, and Sexuality Studies and interdisciplinary concentrations in Dance and Race/Ethnic Studies. She is currently an M.A. candidate at the Institute for Curatorial Practice in Performance at Wesleyan University.
In this episode we spoke to Ben Oddo, Content Manager of Dance Network as well as Michael Mahany, NYC Dance Network Correspondent. We learned how co-founders, Julie Stadler and David Medeiros, formed Dance Network. Michael shared his favorite moments as a correspondent and journalist of dance in New York City, as well as his passion for dance, wine, and cooking. Ben and Michael spoke about the network’s growing dance content and future plans for the platform.
We are also so excited to announce our new partnership with Dance Network which will be launched with the release of this episode! Pod de Deux will now be featured on Dance Network along with their family of programs.
Dance Network is the first-ever, over-the-top, digital network dedicated to showcasing all styles and genres of dance. Dance Network’s goal is to help dance lovers celebrate together. Featuring over 400 hours of original and licensed video content, live event coverage, revealing blogs, and The Barretender, an in-house podcast featuring in-depth interviews with leaders in the world of dance, Dance Network is becoming the premier outlet for dance entertainment, lifestyle, education and inspiration.
Dance Network offers viewers across the globe access to its content for $6.99 a month. This includes original shows, dance competitions, feature films, documentaries, video instructional, blogs, news, podcasts, and live streaming all at your fingertips.
This episode was recorded at Btoven Studio in Manhattan.
[*If you’re listening with headphones, be sure to use both left & right for this episode!*]
This month, we had the good fortune to catch Marc Bamuthi Joseph for a quick interview while he was in NYC! Marc is widely recognized as one of the most vital voices in performance, arts education, and artistic curation. We packed so much into this relatively short conversation, speaking with Marc about how community engagement and social change are inextricably bound to his artistic practice; his new, soccer-inspired piece, /pehLO-tah/, which will be performed at BAM Oct 18th-21st; and some of the ways in which he ties performance work to community engagement efforts. In the process, we touched on the concept of black joy, parallels between soccer and choreography, and even “the semiotics of the goal scorer’s celebration.” 😉 Obviously a fascinating figure on both intellectual and creative levels, Marc gives us a great deal to think about, and we encourage everyone to see /pehLO-tah/ at BAM, Oct 18th-21st!
Recognized as one of the most vital voices in performance, arts education, and artistic curation, Marc BAMUTHI Joseph is hailed for producing and/or performing riveting works of political, economic, and social significance. His bold poetically-driven work investigates social issues and cultural identity. He is a steadfast believer in empathy as the most valuable currency in building community, and seeks to spark curiosity and dialogue about freedom, compassion, and fearlessness through pioneering arts stewardship and education. He is a 2017 TEDGlobal Fellow and was also named a Top Influencer by Dance Magazine this year. His latest (2017) touring work, /pehLO-tah/ is inspired by soccer, Bamuthi’s first generation American experience, intersecting global economics, cross border fan culture, and the politics of joy. In addition, BAMUTHI is the founding Program Director of the non-profit Youth Speaks, and a co-founder of Life is Living, a national series of one-day festivals which activate under-resourced parks and affirm peaceful urban life. His essays have been published in Harvard Education Press; he has lectured at more than 200 colleges, has carried adjunct professorships at Stanford and Lehigh, among others, and currently serves as Chief of Program and Pedagogy at Yerba Buena Center for the Arts in San Francisco, where Bamuthi continues to discover intersections between art, societal concerns, and community in the Bay area.