Pod de Deux attended this Dance/NYC 2016 Symposium discussion and workshop and learned how the CUNY Dance Initiative (CDI) is developing new dance audiences while offering NYC dance companies free space to rehearse and perform. After the session, we interviewed PDD alum Jamie Benson, who presented helpful tips on how to build a following with social media strategies. We also recorded enthusiastic feedback from audience members and another presenter, Charles Rice-Gonzalez, a CUNY Venue Director.
Audience members were enthusiastic to share what they learned from this Dance/NYC 2016 Symposium session, which spotlighted select funding initiatives underway to address racial justice and equity in dance and the larger cultural sector.
In June 2015, the Center for Urban Future published its second Creative New York report, which tracks trends in New York’s creative sector over a ten-year period and offers recommendations for real estate affordability, government funding and support, economic and community development, and diversity and inclusivity. This session, moderated by the researcher Adam Forman, puts members of the report’s advisory board into conversation about the study’s findings and its implications for dance artists and companies. He started the discussion by asking panel speakers: Are you an optimist or pessimist about the future of dance in NYC?
We continued the discussion with audience members and one of the featured speakers, Potri Ranka Manis, Founder and Artistic Director of Kinding Sindaw Melayu Heritage.
Organizations were onsite at the Dance/NYC 2016 Symposium, offering information to dancers and dance-makers. We learned more about valuable resources provided by The Actor’s Fund (which recently acquired Career Transitions for Dancers), Brooklyn Arts Exchange, Jean-Louis Law, and Pentacle. Listen to learn more!
We sat down with Miro Magloire, choreographer of New Chamber Ballet, to learn how his musical background influences his expressive style of contemporary ballet choreography, what it was like being a piano accompanist for ballet class, and how he selects fascinating contemporary composers for his work, like Karlheinz Stockhausen. We also had an interesting chat about the definition of musicality and how he uses his dancers to express his unique vision.
You can see his work on April 15th and 16th at City Center Studios (130 W. 56th Street) and also on May 19th at Florence Gould Hall (55 East 59th Street). Learn more about New Chamber Ballet and upcoming shows at www.newchamberballet.com