choreography

I TRY TO MORPH MYSELF INTO THAT PERSONALITY: Vincent Paterson

VP and MJ.PNG


We had the incredible fortune of connecting with Vincent Paterson, Director and Choreographer who has created some of the most iconic moments in pop culture. Joining us remotely via Skype, Vincent spoke candidly and humorously of his work with Michael Jackson and Madonna, among other legends, and shared a few of the fun stories from his upcoming book. We delved into the process and nature of choreographing for celebrities who come to the table with their own style, as well as the range of responsibilities ascribed to a choreographer and to a director for large-scale commercial or creative projects. Over the course of the conversation, we definitely got a sense of why so many people from all across the arts world love to work with Vincent. We’re honored and excited to share the interview with you, our listeners!

Vincent Paterson has worked extensively with superstars Madonna and Michael Jackson, and his work has been presented in every possible space and format, including film, theater, Broadway, concert tours, opera, music videos, television and commercials. The works he created for Madonna include her BLOND AMBITION TOUR, considered by many to be the greatest pop spectacle of all time, as well as her legendary Marie Antoinette VOGUE performance for MTV and the choreography for her videos EXPRESS YOURSELF and VOGUE. For Michael Jackson, with whom Vincent worked for over 15 years, he created the BAD TOUR, as well as SMOOTH CRIMINAL, BLOOD ON THE DANCE FLOOR and multiple other Jackson music videos and live performances. Vincent’s other directorial and choreographic works include, but are by no means limited to, Berlin’s first original production of the musical CABARET, now the longest running play in Berlin’s history; the Lars Von Trier’s film, DANCER IN THE DARK; the movie HOOK for Steven Spielberg; and Cirque du Soleil’s, VIVA! ELVIS in Las Vegas.

Jessica Lang

Jessica Lang and Kanji Segawa by Christopher Jones


We sat down with Jessica and learned about her approach to choreography and her latest work Thousand Yard Stare, which will be presented at the Joyce June 14th through the 19th. She revealed how her education at Juilliard eventually put her on the path of choreography and how she came to realize that a performance career was not for her. We also talked about her experience forming her own company and opening a dance studio in Long Island City. For more information about her show at the Joyce, visit Joyce.org or visit Jessica Lang’s website.

 

EVERY DANCER IS MUSICAL: Miro Magloire

Magloire_reh_Gardner_1We sat down with Miro Magloire, choreographer of New Chamber Ballet, to learn how his musical background influences his expressive style of contemporary ballet choreography, what it was like being a piano accompanist for ballet class, and how he selects fascinating contemporary composers for his work, like Karlheinz Stockhausen.  We also had an interesting chat about the definition of musicality and how he uses his dancers to express his unique vision.

You can see his work on April 15th and 16th at City Center Studios (130 W. 56th Street) and also on May 19th at Florence Gould Hall (55 East 59th Street). Learn more about New Chamber Ballet and upcoming shows at  www.newchamberballet.com

DOCF: SHORT FILMS PROGRAM I


Indigo-Grey-Esteban-Robles_3We talked to a few audience members
about highlights from a strong roster of creative short films presented in the Shorts Program I at Dance On Camera Festival. We heard a lot about Indigo Grey and enthusiastic commentary about the rest of the roster as well. It was a great way to end our day at Dance on Camera Festival!

The following short films were presented:

A Portrait of Marc Brew, A Tap Dance in a Circle, Abismo, Approaching the Puddle, Honeymoon, Indigo Grey: The Passage, SajakThor, Still Light, Targeted Advertising, Tebe Tasi,

DOCF: THE OTHER SIDE OF STILLNESS

alexx_dev_sun2Each year, the Dance on Camera Festival at Lincoln Center screens one Work-in-Progress. through the Dance Film Association‘s Production Grant, Alexandra Shilling’s latest video project The Other Side of Stillness | Installation was selected and screened as a special event on February 13.  Alex talked to Pod de Deux about the process of making the project and what it was like working with DFA to present her work.

 

THIS IS HOW WE GET A NEW AUDIENCE: Loni Landon

LoniLandon-Credit-MalloryLynn-e1439912552140In this episode we speak with dancer and choreographer Loni Landon about her process of creating lush, captivating movement and the influence of her early career in Germany on her collaborative choreographic process. Importantly, Loni illuminated the difficulty of cultivating an artistic life that pays the rent, even as a dance artist who is widely regarded as enjoying early success and potential. We felt inspired by her proactive approach to changing the dance world for the better as we learned about her enthusiasm for pursuing collaborative projects and dance-based experiences with other artists, as well as her founding of The Playground, a financially accommodating space for dancers and choreographers to come together and explore (www.theplaygroundnyc.org). Don’t miss Loni’s choreography with Keigwin & Co at the Joyce, Dec. 8th, 10th and 12th: http://www.keigwinandcompany.com/event/kc-returns-to-the-joyce-theater/

BALLET IS A FEELING: Jeremy Nedd

Jeremy NeddWe made it to episode 10 and what a year it has been!  In this episode, we talk to dancer/choreographer/sound designer/DJ Jeremy Nedd about dancing in New York City for dance luminary Kyle Abraham and his experience in Europe as a dancer, choreographer and sound designer.  We chatted and wondered about dance snobbery, audience engagement, and intellectual and conceptual dance traditions. Our favorite quote from Jeremy: “Ballet is a feeling.” We could not agree more. Jeremy Nedd studied at SUNY Purchase and danced in New York City before relocating to Europe to dance with the Dresden SemperOper and the Basel Ballett.  He has had the opportunity to perform works by Forsythe, Kylian, Thoss, Ekman and others.