In this episode of Pod de Deux podcast, Clara and Jessica sat down with dancer, curator and Bollywood choreographer, Pooja Uberoi. Pooja shared how Bollywood has changed over recent years to incorporate a range of styles including Indian classical dance, jazz, and hip-hop. She is organizing this year’s New York City Dance Week, a 10-day dance festival that partners with studios across NYC to give back to the community. Pooja also curates Funkar (Urdu for “artist within you”), a performance night of diverse contemporary and traditional dance that takes place every month at Dixon place. Pooja talked about her passion for helping artists find a platform, which led her to start ArtistsEast West in 2018 to represent Indian artists abroad. Jessica and Clara also asked her about the dance form she developed, BollyJazz, which combines Bollywood and Jazz. You can find Pooja and Bollyjazz at multiple studios throughout NYC. Finally, Pooja talked about IkiGAI – USA, a multifaceted company that works with artists to help them monetize and make money from various crafts.
Pooja Uberoi is the Producer for NYC Dance Week and founder of Funkar, an initiative that is part of NYC Dance Week. She has more than 13 Years of experience as a dancer and teacher in Jazz schools, the Bollywood industry in Mumbai, India and New York City. She was a Board member and Head of The Dance Works, one of the biggest dance schools of Western dance in India before moving to NYC. Pooja has performed her choreographies and taught at the prestigious CBS this morning, Dance USA Dance and in schools in India, New York City, California, Canada, Puerto Rico, Israel and Mexico. Pooja also owns a dance company in New York named IkIGAI – USA. She is also a consultant for a music school and runs an international artist management company called Artists East West.
In honor of CDI’s upcoming 5th anniversary performances, Jessica and Clara interviewed the Director of CUNY Dance Initiative (CDI), Alyssa Alpine, and Choreographer, Gabrielle Lamb of Pigeonwing Dance.
Alyssa talked about how CDI started as a pilot initiative and grew to become a successful private/public partnership model of support for artists in NYC. She shared how she works with various CUNY campuses to provide rehearsal and performance spaces for artists, and creative ways in which artists have connected with students.
Gabrielle talked about how CDI helped her produce her first full-length evening performance, launching her trajectory to present more evening-length work. She also shared her artistic process for her world premiere for CDI’s 5th Year Fest, in March.
Alyssa and Gabrielle talked about some of the many challenges artists face today, like supporting emerging and mid-career artists, getting audiences to come to shows, finding entry-points for artistic work, and the competitive dance landscape.
CUNY Dance Initiative will celebrate its fifth anniversary with a series of performances by past CDI artist recipients, called 5th Year Fest, from March 20–23, 2019, at Baruch Performing Arts Center, in Manhattan. Tickets range from $11 to $36, and can be purchased online at www.baruch.cuny.edu/bpac
5th Year Fest performing artists include Heidi Latsky Dance; Sonia Olla & Ismael Fernandez; Andrew Nemr; Miki Orihara; Loni Landon; Urban Bush Women; Kinesis Project dance theatre, Gabrielle Lamb; Parijat Desai; MBDance; and Ephrat Asherie Dance.
More about the CUNY Dance Initiative (CDI):
CDI is an unprecedented model for collaboration between the City University of New York (CUNY) and the New York City dance field. A residency program that opens the doors of CUNY campuses to professional choreographers and dance companies, CDI supports local artists, enhances the cultural life and education of college students, and builds new dance audiences at CUNY performing arts centers.
Since its official launch in 2014, CDI has subsidized more than 100 residencies for emerging and established NYC choreographers on 13 CUNY campuses in all five boroughs. Created directly in response to the shortage of affordable rehearsal and theater space, CDI has granted over 5,800 hours of studio and stage time to artists, and attracted 11,500 New Yorkers to performances, open rehearsals, and workshops. CDI’s unique model, which pairs the resources of the City’s vast urban university system with private funding, now awards 22 to 25 artists a year with residency space and fees.
More about our guests:
Alyssa Alpine, Director of CDI
Alyssa Alpine is an arts producer, curator, and administrator with twenty years of experience in New York’s non-profit arts world. Since graduating from Columbia University, she’s held positions at organizations large and small, like Lincoln Center, New York Live Arts, and Mexico Now. She recently started New Jersey City University’s Center for the Arts, a new umbrella for the University’s arts programming. Now directing the CUNY Dance Initiative, she brings a deep personal commitment to the performing arts community as well as in-depth understanding of how it functions.
Gabrielle Lamb was born in Savannah, Georgia, and trained at the Boston Ballet School. In the year 2000, she joined Les Grands Ballets Canadiens de Montreal, and in 2003 she was promoted to soloist. At the invitation of choreographer Christopher Wheeldon, she moved to New York City in 2009 to join his company Morphoses. Ms. Lamb began choreographing in 2005 and has won many choreography awards since then, including a Princess Grace Award for Choreography in 2014. She was a CDI resident in both 2015 and 2016. Her movement style and theatricality have been profoundly influenced by the choreographers whose work she danced during her performing career, including George Balanchine, Jiri Kylian, Mats Ek, Ohad Naharin, Nacho Duato, and Shen Wei. In addition, Ms. Lamb is a self-taught video artist and animator. Her choreography and dance films have been presented by many venues and festivals around the world.
Jessica interviewed choreographer Tere O’Connor leading up to his NYC premiere of Long Run at NYU Skirball (10/12 & 10/13). They talked about how Tere’s fascination with structure led to the multi-layered aesthetic he has become known for. Tere revealed some of the processes he uses to convolute movement phrases, focusing on rhythm, the mixing of dance techniques, density, and invalid structures. (Learn more about all of these in the interview!) Tere related his choreographic processes to the nature of the mind itself, which remains in and out of a constant episodic flow of consciousness.(more…)
Jessica and Clara interviewed Tiler Peck leading up to the premier of her new documentary, BalletNow, which will be available for streaming on Hulu on Friday, July 20th. The film, directed by Steven Cantor (who directed Sergei Polunin’s DANCER) and produced by Elisabeth Moss, shows Tiler assume many roles as curator, artistic director, rehearsal director and dancer in preparation for a performance at the Music Center in Los Angeles last July. In the interview, Tiler revealed what it was like rising to the greatest challenge of her life in preparing for a production that included 15 ballets in three programs, all while dancing in eight pieces. Tiler spoke about her curatorial rationale for the performance, which featured choreographers Justin Peck, Christopher Wheeldon, Michelle Dorrance, Bill Irwin, and more. Beyond BalletNow, we talked about Tiler’s enthusiasm for stepping into a new role as choreographer this summer at Vail Dance Festival, how leadership at City Ballet is developing after the departure of Peter Martins, and how she has become known as “the ballerina who stops time.” (more…)
In this episode, Jessica and Clara interviewed dancer Paul Hamilton about his experience collaborating with a diverse range of choreographers including Alonzo King, Elizabeth Streb, Reggie Wilson, Ralph Lemon and Keely Garfield. He shared a bit about each choreographer’s style and process and talked about his own journey of discovering and re-discovering dance as his passion and joy. He also let us in on some of the fascinating dramaturgical processes behind Reggie Wilson / Fist and Heel Performance Group’s production of Moses(es), and Ralph Lemon’s Scaffold Room (from which the above image derived).
Soul Train was one of the influences behind Paul’s Bessie-nominated performance of Scaffold Room. Enjoy this video homage to Soul Train!(more…)
In this episode, Jessica was in Havana, Cuba interviewing Marta Ortega, a dancer with Acosta Danza. Acosta Danza was formed in 2016 when international ballet star, Carlos Acosta retired from a highly regarded 30-year ballet career with the Royal Ballet and moved back to Cuba. The company commissions international choreographers such as Mats Ek and Sidi Larbi Cherkaoui to create original contemporary works on its dancers. In 2018, Acosta Danza will perform in Havana and tour in the US, Europe and Singapore. Learn more at http://www.acostadanza.com/en/
Acosta Danza will perform at New York City Center April 25-27th as part of the ¡Adelante, Cuba! Festival. Get tickets here. (more…)
In this episode of Pod de Deux podcast, Clara and Jessica interviewed Stephan Quinci while traveling in Berlin. Originally hailing from Italy and Ohio, Stephan now calls Berlin his home where he collaborates with artists and investigates his own performance work. Stephan shared how his current training in release technique influences his performance work and free expression on the Berlin Club dance floor. We talked about his dialectic process for creating conceptual performance, and the European performance landscape.