Jessica and Clara interviewed Tiler Peck leading up to the premier of her new documentary, BalletNow, which will be available for streaming on Hulu on Friday, July 20th. The film, directed by Steven Cantor (who directed Sergei Polunin’s DANCER) and produced by Elisabeth Moss, shows Tiler assume many roles as curator, artistic director, rehearsal director and dancer in preparation for a performance at the Music Center in Los Angeles last July. In the interview, Tiler revealed what it was like rising to the greatest challenge of her life in preparing for a production that included 15 ballets in three programs, all while dancing in eight pieces. Tiler spoke about her curatorial rationale for the performance, which featured choreographers Justin Peck, Christopher Wheeldon, Michelle Dorrance, Bill Irwin, and more. Beyond BalletNow, we talked about Tiler’s enthusiasm for stepping into a new role as choreographer this summer at Vail Dance Festival, how leadership at City Ballet is developing after the departure of Peter Martins, and how she has become known as “the ballerina who stops time.”
More about Tiler Peck:
Tiler Peck was born in Bakersfield, California. She began her dance training at the age of two at her mother’s dance studio, Bakersfield Dance Company. At the age of seven, she began studying privately with former Bolshoi Ballet principal dancer Alla Khaniashvili in Hollywood. At the age of 11 she began studying at Conjunctive Point in Culver City, California, with former New York City Ballet dancers Colleen and Patricia Neary. During this time she also studied with former NYCB principal Yvonne Mounsey at Westside School of Ballet in Santa Monica. At the age of 12, Ms. Peck entered the School of American Ballet, the official school of New York City Ballet, for most of the 2000-2001 Winter Term. She returned to SAB during the summers of 2002 and 2003, and that fall began as a full-time student. In September 2004, Ms. Peck became an apprentice with New York City Ballet. In February 2005 she joined the Company as a member of the corps de ballet. She was promoted to soloist in December 2006 and principal dancer in October 2009.
Eugenia Repelskii as Henriette in Raymonda’s Wedding
Jessica and Clara had a lively chat with Joshua Thake, ballet dancer of Les Ballets Trockadero de Monte Carlo (better known on stage as Eugenia Repelskii and Jacques d’Aniels). Josh revealed what it is like to prepare for roles and travel all over the world with the Trocks. We discussed why their brand of humor works so well and how the Trocks use certain themes and elements of humor to bring ballets to life. Naturally, we slipped into a dialog about what qualities make a great dancer connect with their audience.
In a rare solo interview, Clara of Pod de Deux talked to Clara Cantor, thirteen year-old student at the School of American Ballet (SAB) and PDD’s youngest interviewee yet! (The interview took place at the New York apartment where Clara lives with her family, so you’ll hear some city background noise.) At a crossroads in her life, Clara spoke of the decision she faces, going into high school, between academics and pursuing ballet full-time. She also discussed how she currently balances school and dance, as well as her experience performing with the New York City Ballet as an SAB student.(more…)
We recently joined Oscar nominated filmmaker Steven Cantor in the West Village office of Stick Figure Productions to talk about his new epic documentary, “DANCER.” Centered around the once-notorious “bad boy of ballet,” Sergei Polunin, this character-driven documentary instead reveals a charming and multi-dimensional dancer of prodigious talent who has a complicated relationship with his craft. In conversation with Steven, we delved further into the nature of his latest subject as well as his process of creating character-driven documentaries in general. Don’t miss “DANCER” if you haven’t seen it yet (Amazon, iTunes), and stay tuned for Stick Figure’s latest documentary (also dance-related!), “Step,” premiering at Sundance this coming January.(more…)
We were lucky to catch Prince Credell of Nederlands Dans Theater (NDT) at City Center during a busy day of rehearsal for the compay’s appearance at Fall for Dance. (NDT will be back for a full engagement in November! Get tickets!) Prince talked to us about his experience working with the exciting range of contemporary choreographers who come through NDT, learning to dance as a character, and some of his proudest moments as a teacher of dance. Speaking with Prince was an absolute pleasure, and we can’t recommend more highly seeing him perform with one of the most impressive and innovative dance companies of today at City Center Nov 16th-19th.(more…)
Jessica and Clara visited choreographer and founder of BalletCollective, Troy Schumacher (and his cute dog Shallot), at his sunny apartment in NYC. We learned about Troy’s collaborative approach to creating ballets by integrating artists who work in different mediums, such as music and photography, into the process and presentation of work. We also discussed his current aesthetic interests and were impressed by his ability to balance the demands of multiple roles: choreographer, director of a contemporary ballet company and not least of all, ballet dancer with NYCB. We had the pleasure of seeing BalletCollective perform last fall and we look forward to seeing the company again on October 27th and 28th at NYU Skirball Center in Manhattan. Buy tickets before they sell out! Oh, and if you too are curious to see the “World’s Greatest Victory Dances” that Troy choreographed for PlayStation, check out the playlist on YouTube.(more…)
Audience members of all ages shared their love for Natalia Makarova after a screening of her self-directed Ballerina Program 1: Body and Soul–the first section of a four part BBC Documentary series. They gushed over her career, partnerships, free spirit, charm, and her lasting influence on ballet.