Dance on Camera Festival

DANCE ON CAMERA FESTIVAL, 2017!

mariesattitude-1600x900-c-default

Marie’s Attitude by Kristi Grunditz

Jessica and Clara returned to the Dance on Camera Festival this year. We were on-site on Saturday, February 4th, interviewing interns, filmmakers, dancers and audience members about a range of films including documentary, narrative and choreography.  Here’s a quick breakdown of the topics you’ll hear covered in this episode, as well as an extended version with information about each segment after the “Read More” tag:

Minute 0-5:40 – Into Sunlight (feature)

5:40-15:54 – Jonah (short)

15:54-39:53 – Marie’s Attitude (feature) and Broken Memories (short)

39:53-54:14 – VR (Virtual Reality) Projects

54:14-End – Shorts Program (various short films) (more…)

WE ARE NOT THE FOCUS: Nel Shelby

CHRISTOPHER_NEL_RETOUCHED-3We were delighted to sit down again with Nel Shelby, dance videographer and entrepreneur, to follow up on our brief conversation from earlier this year at the Dance on Camera Festival. In this episode we delve deeper into Nel’s filmmaking process for PS DANCE!, her highly successful new documentary about dance education in public schools that has spawned a movement to bring dance to every child. (You can find our interviews with PS DANCE! viewers here.) We also learn about Nel’s intuitive, collaborative approach to making documentaries and dance films and about how she built her own company, Nel Shelby Productions, over time. Nel articulates her learnings about drawing out interviewees by being present without becoming the focus and shares a positive, optimistic attitude about the future of dance.


Nel Shelby is the founder of Nel Shelby Productions, a production company based in NYC and focused specifically on preserving and promoting dance through dance videography. (more…)

EVERY DANCER IS MUSICAL: Miro Magloire

Magloire_reh_Gardner_1We sat down with Miro Magloire, choreographer of New Chamber Ballet, to learn how his musical background influences his expressive style of contemporary ballet choreography, what it was like being a piano accompanist for ballet class, and how he selects fascinating contemporary composers for his work, like Karlheinz Stockhausen.  We also had an interesting chat about the definition of musicality and how he uses his dancers to express his unique vision.

You can see his work on April 15th and 16th at City Center Studios (130 W. 56th Street) and also on May 19th at Florence Gould Hall (55 East 59th Street). Learn more about New Chamber Ballet and upcoming shows at  www.newchamberballet.com

DOCF: SHORT FILMS PROGRAM I


Indigo-Grey-Esteban-Robles_3We talked to a few audience members
about highlights from a strong roster of creative short films presented in the Shorts Program I at Dance On Camera Festival. We heard a lot about Indigo Grey and enthusiastic commentary about the rest of the roster as well. It was a great way to end our day at Dance on Camera Festival!

The following short films were presented:

A Portrait of Marc Brew, A Tap Dance in a Circle, Abismo, Approaching the Puddle, Honeymoon, Indigo Grey: The Passage, SajakThor, Still Light, Targeted Advertising, Tebe Tasi,

DOCF: SHORTS PROGRAM I – HONEYMOON

HoneyMoonWe spoke to Marta Renzi, choreographer and director of Honeymoon, a hot short film with a surprising twist featuring dancers Carlos Gonzalez and Tina Vasquez. She gave us a sneak peek into her inspiration and process behind the film before we saw it on the big screen. 

DOCF: THE OTHER SIDE OF STILLNESS

alexx_dev_sun2Each year, the Dance on Camera Festival at Lincoln Center screens one Work-in-Progress. through the Dance Film Association‘s Production Grant, Alexandra Shilling’s latest video project The Other Side of Stillness | Installation was selected and screened as a special event on February 13.  Alex talked to Pod de Deux about the process of making the project and what it was like working with DFA to present her work.

 

DOCF: BAJARI

Bajari-1200x600-32Flamenco is one of the world’s few art forms that is believed to be passed down exclusively through bloodlines. For Barcelona’s Gypsy community, it can’t be learned at a school or on paper. It is lived within the home, created at the bar and perfected on the street corner. Bajari, directed by Eva Vila, goes to all those places with the dancer Karime Amaya, who is working with some of the most talented up-and-coming musicians and dancers to create an innovative show, and little 5-year old Juanito Manzano who takes his first steps to earn his white flamenco boots. We talked to Ron Honsa, board member of Dance Films Association about the film.