Juilliard

LLAB Ep 1: White Supremacy in Dance Education Pt I – w/ Morgan Burns, Runako Campbell & Ricardo Hartley

In the first episode of this fall PDD series, The LLAB, new Host Antuan Byers talks to a recent grad, Morgan Burns, and college seniors, Runako Campbell and Ricardo Hartley, about their experiences navigating the world of dance education as Black students at predominantly white institutions. Although all three of these guests attended different colleges and conservatories, we quickly learned how their experiences as minorities in their programs have been very similar. We discussed our concerns with the lack of representation in our field, the importance and difficulty of finding mentors that look like you, and the challenges of accessing Black dance history. We also shared stories and experiences about how our dance spaces are eurocentric –  not leaving room for other aesthetics, techniques, and cultures. Morgan talked to us about what sparked the idea for her new organization, the Collegiate Association for Artists of Color (C.A.A.C.); Runako caught us up on what she will be exploring in her senior thesis that focuses on Black girls, women, and femme-identifying dancers; and Ricardo gave us the inside scoop on his new journal created specifically for queer artists of color.

Morgan Burns is a recent graduate of New York University, and is the founder of Collegiate Association for Artists of Color (C.A.A.C.).

Runako Campbell is a current senior at Princeton University, who has been an active member within their dance department, acting as an Artistic Director of their dance company, DiSiac, as well as dancing with the Princeton University Ballet.

Ricardo Hartley is a current senior at the Juilliard School, and founder of the dance workshop, The Audition.

This is the first episode in our new fall, series, The LLAB with Antuan Byers. LLAB stands for listening, learning, and building. The overall goal of this series is to create a space to share marginalized Black voices, to learn from their experiences, and dream for ways in which we can move forward.

WOMEN OF BROADWAY: Lorin Latarro

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Episode 1 of the “Women Of Broadway” Series hosted by Michael Mahany, Ellyn Marie Marsh, & Kevin Michael Raponey

In this first episode of Pod De Deux’s “Women Of Broadway” series, Broadway choreographer Lorin Latarro sits down with Michael, Ellyn, and Kevin to discuss her current Broadway show, ‘Mrs. Doubtfire,’ and much more! Lorin lets us in on how she was drawn to dance early on, her time at Juilliard (and how she skipped school to audition!), and her extensive resume as a performer, including 14 Broadway shows. She also talks about how the industry-wide pandemic shutdown has personally affected her and others in the Broadway community.

In the “Women Of Broadway” series, Pod De Deux seeks to speak with all 9 of the female choreographers who were slated to bring 14 new musicals to Broadway in this unprecedented season.

ANYTHING CAN HAPPEN: Megan Williams

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Jessica and Clara had the privilege of connecting with dance artist Megan Williams about her multi-layered career and many years of adventure in dance. Megan told us about getting started at Juilliard in the 80s and touring with Mark Morris Dance Group for 10 years, a relationship that evolved into an opportunity to stage his works for students and performers around the world that continues to this day. We also learned about Megan’s recent shift into choreography and her upcoming work, can I have it without begging, a live music and dance collaboration between Megan and award-winning composer Eve Beglarian. We found it fascinating that the process of developing the work has uncovered and shaped the layers of meaning within it, as have the inter-generational performers involved. We also discussed the importance of live music; it’s not easy to afford and incorporate live music as an independent choreographer, and we are excited that Megan was able to do so for this show! Don’t miss the world premiere at Danspace Project, March 26–28, 2020. You can learn more about Megan and her work at mwdanceprojects.com.

Megan Williams is an independent dance artist, choreographer, in demand teacher and repetiteur. Her choreography has been produced throughout the United States. In addition to performing her own work,  she can be seen dancing with choreographer Rebecca Stenn and in Netta Yurashalmy’s Paramodernities project. In 1988, she joined the Mark Morris Dance Group; she danced with MMDG for 10 years, touring worldwide, teaching, and appearing in films such as Falling Down Stairs (with Yo Yo Ma), The Hidden Soul of Harmony, The Hard Nut and Dido and Aeneas. Williams continues her affiliation with Morris, as guest ballet master, guest rehearsal director, and as a stager of his works.

EVERYONE HAS A BODY: Troy Ogilvie

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Early in 2019, Clara sat down with Troy Ogilvie – Choreographer, performer and improv teacher – for a wide-ranging conversation that revealed Troy’s deep-seated “JOD (joy of dance)” and many insights into the process of creating movement from a place of purpose. Troy introduced us to the terms kinesphere and proprioception and described her own fascination with the tension between structure and spirit that we find at the heart of dance. She also told us about performing as Lady Macbeth in the world-famous interactive show Sleep No More! Troy teaches improv at Peridance every Wednesday at 10am. You can follow her @troyanosaurus and learn more at http://troyogilvie.squarespace.com/! (more…)

I MAKE AN EFFORT TO GUIDE AN EXPERIENCE: Andrea Miller

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In this interview with Andrea Miller, recorded at the Brooklyn home of GALLIM Dance, we dig deep into Andrea’s unique choreographic process and discuss her current residency at the Met Breuer. Andrea describes the way in which she and her dancers develop a distinct movement language for each new piece, and she shares a fascinating example of a piece for which they drew inspiration from prehistoric, non-human movement. We also touch on the historical-cultural significance of Andrea’s 2017-18 residency at the Met as a sign of dance being recognized as an art form in its own right. Finally, Andrea speaks to the experience and personal importance of building a family without interrupting her dance career. Andrea will premiere a new durational work at the Met Breuer this month, May 22–27, 2018. If you’re in New York, don’t miss it! (more…)

WE ARE NOT THE FOCUS: Nel Shelby

CHRISTOPHER_NEL_RETOUCHED-3We were delighted to sit down again with Nel Shelby, dance videographer and entrepreneur, to follow up on our brief conversation from earlier this year at the Dance on Camera Festival. In this episode we delve deeper into Nel’s filmmaking process for PS DANCE!, her highly successful new documentary about dance education in public schools that has spawned a movement to bring dance to every child. (You can find our interviews with PS DANCE! viewers here.) We also learn about Nel’s intuitive, collaborative approach to making documentaries and dance films and about how she built her own company, Nel Shelby Productions, over time. Nel articulates her learnings about drawing out interviewees by being present without becoming the focus and shares a positive, optimistic attitude about the future of dance.


Nel Shelby is the founder of Nel Shelby Productions, a production company based in NYC and focused specifically on preserving and promoting dance through dance videography. (more…)

Jessica Lang

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We sat down with Jessica and learned about her approach to choreography and her latest work Thousand Yard Stare, which will be presented at the Joyce June 14th through the 19th. She revealed how her education at Juilliard eventually put her on the path of choreography and how she came to realize that a performance career was not for her. We also talked about her experience forming her own company and opening a dance studio in Long Island City. For more information about her show at the Joyce, visit Joyce.org or visit Jessica Lang’s website.

 

DANCE BELONGS TO EVERYONE: Bennyroyce Royon

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We were thrilled to speak with Pod de Deux’s first Broadway dancer in this episode with Dancer/Choreographer Bennyroyce Royon. Currently a cast member in the Broadway revival of The King and I, as well as Artistic Director of BENNYROYCE DANCE, Bennyroyce had plenty of insight to share about how the concert dance world compares to Broadway, the conversational process behind this larger-than-life Broadway production, and the balancing of identities as a busy dance maker. Don’t miss him in The King and I, and don’t miss the next BENNYROYCE DANCE performance on April 21st at Hostos Center for the Arts & Culture.