Pod de Deux podcast episodes

CAN WE DESIGN FREEDOM: Marc Bamuthi Joseph

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[*If you’re listening with headphones, be sure to use both left & right for this episode!*]

This month, we had the good fortune to catch Marc Bamuthi Joseph for a quick interview while he was in NYC! Marc is widely recognized as one of the most vital voices in performance, arts education, and artistic curation. We packed so much into this relatively short conversation, speaking with Marc about how community engagement and social change are inextricably bound to his artistic practice; his new, soccer-inspired piece, /pehLO-tah/, which will be performed at BAM Oct 18th-21st; and some of the ways in which he ties performance work to community engagement efforts. In the process, we touched on the concept of black joy, parallels between soccer and choreography, and even “the semiotics of the goal scorer’s celebration.” 😉 Obviously a fascinating figure on both intellectual and creative levels, Marc gives us a great deal to think about, and we encourage everyone to see /pehLO-tah/ at BAM, Oct 18th-21st!

Recognized as one of the most vital voices in performance, arts education, and artistic curation, Marc BAMUTHI Joseph is hailed for producing and/or performing riveting works of political, economic, and social significance. His bold poetically-driven work investigates social issues and cultural identity. He is a steadfast believer in empathy as the most valuable currency in building community, and seeks to spark curiosity and dialogue about freedom, compassion, and fearlessness through pioneering arts stewardship and education.  He is a 2017 TEDGlobal Fellow and was also named a Top Influencer by Dance Magazine this year. His latest (2017) touring work, /pehLO-tah/ is inspired by soccer, Bamuthi’s first generation American experience, intersecting global economics, cross border fan culture, and the politics of joy. In addition, BAMUTHI is the founding Program Director of the non-profit Youth Speaks, and a co-founder of Life is Living, a national series of one-day festivals which activate under-resourced parks and affirm peaceful urban life. His essays have been published in Harvard Education Press; he has lectured at more than 200 colleges, has carried adjunct professorships at Stanford and Lehigh, among others, and currently serves as Chief of Program and Pedagogy at Yerba Buena Center for the Arts in San Francisco, where Bamuthi continues to discover intersections between art, societal concerns, and community in the Bay area.

REACH FARTHER: Fran Kirmser

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In this episode, we interview Fran Kirmser, co-author of the new book, A Life in Dance: A Practical Guide. Fran revealed how a class assignment turned into a quest with Rebecca Stenn to create a resource book for dancers. Fran read from the book and shared some stories from contributing artists.  Throughout our conversation, we talked about the various strengths and skills dancers possess that they can rely on to make their own life in dance and beyond.  Look for the book on Amazon and www.alifeindance.com (more…)

STRUGGLE MAKES YOU BEAUTIFUL: Miki Orihara

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Jessica and Clara finally reunited in the studio for this interview with Miki Orihara, Choreographer and former Graham dancer. We speculated on the differences between modern dance and ballet, and Miki shared her thoughts on how Graham’s technique sticks with the dancer as well as her own efforts to both honor and diverge from that technique. She also shared fascinating stories about entering the dance world after coming to America from Japan and her initial attraction to the theater. We hope you enjoy this interview as much as we did. (more…)

Sarah Benvenuti

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Jessica and Sarah Benvenuti, founder of Benvenuti Arts, met up for a friendly chat and drink on a rooftop bar in New York City.  Sarah shared her seasoned approach to fundraising for small arts organizations and artists while sharing helpful tips for artists interested in increasing their fundraising impact.  They talked about practical fundraising strategies, donor and audience engagement, the case for support, grant writing, crowdfunding, fiscal sponsorship, and more.  Artists, this is not an episode to miss! (more…)

Jennifer Tipton

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Jessica had the pleasure of interviewing lighting designer Jennifer Tipton, who was recently nominated for a Tony award for her work on A Doll’s House Part 2 (on Broadway through July 23rd).  Jessica and Jennifer chatted over coffee about many aspects of her process starting with her approach to collaboration with directors and choregraphers, to how she gets inspiration, key differences in lighting dance and theater, as well as trends in lighting, and tricks of the trade. (more…)

I TRY TO MORPH MYSELF INTO THAT PERSONALITY: Vincent Paterson

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We had the incredible fortune of connecting with Vincent Paterson, Director and Choreographer who has created some of the most iconic moments in pop culture. Joining us remotely via Skype, Vincent spoke candidly and humorously of his work with Michael Jackson and Madonna, among other legends, and shared a few of the fun stories from his upcoming book. We delved into the process and nature of choreographing for celebrities who come to the table with their own style, as well as the range of responsibilities ascribed to a choreographer and to a director for large-scale commercial or creative projects. Over the course of the conversation, we definitely got a sense of why so many people from all across the arts world love to work with Vincent. We’re honored and excited to share the interview with you, our listeners! (more…)

BLOW PEOPLE AWAY THE FIRST TIME THEY SEE DANCE: Eric Gauthier

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Clara recently sat down with Eric Gauthier at the Joyce Theater when his company, Gauthier Dance, presented the New York premiere of NIJINSKI. We got through many topics in a short time in this interview, covering Eric’s early inspiration to pursue dance (thanks to the musical Cats!), the process that allowed him to establish Gauthier Dance and grow the company relatively rapidly under the auspices of Theaterhaus Stuttgart, and his overall mission to connect with new and expanded dance audiences by presenting the “sunny side of modern dance.” He explained how Gauthier Dance is like a clown, on one side humor and on the other side a foundation of tragedy. Based on what we’ve seen of the company, we certainly agree and couldn’t recommend them more strongly. (more…)