musical theater


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The Pod De Deux Podcast team is back with another episode in the “Women Of Broadway” summer series, this week featuring Lizzi Gee, the choreographer behind this past season’s production of A Christmas Carol.

In this episode, the remarkable Lizzi Gee discusses what it meant to her to travel across the pond to bring A Christmas Carol to Broadway. She also gives us a peek into how she balances running her Gee-Force School Of Dance, working closely with the incredible Nkosi’s Haven in Johannesburg South Africa, serving as an associate of the Old Vic, and being a mother to two boys.

On top of creating the choreography for the 2019-2020 Broadway production of ‘A Christmas Carol,’ Lizzi Gee is also a Movement Director, dance practitioner, and teacher whose work spans across all aspects of theatre, opera, film and television.

Gee was nominated for a 2019 “What’s On Stage Award” for her work choreographing ‘Little Shop Of Horrors’ in London’s Regents Park Open Air Theatre. Her other credits include The National Theatre, the Old Vic, the Young Vic, English National Opera, The Royal Shakespeare Company, Chichester Festival Theatre, Sheffield Crucible, Nottingham Playhouse, and many West End and touring theaters.

Gee was recently made an Associate at the Old Vic Theatre. In addition, she owns her own dance school just outside of London called the Gee-Force School Of Dance where she trains children and adults from the age of 3 on up. She is often a guest lecturer and dance coach for many theatre schools across the UK, and when she manages to find the time, she also volunteers at Nkosi’s Haven in Johannesburg South Africa, a home for children and mothers affected by HIV.


The Pod De Deux Podcast team is back with another episode in the “Women Of Broadway” summer series, this week featuring Six The Musical choreographer, Carrie-Anne Ingrouille. In the episode, Carrie-Anne discusses the growth, inspiration, and magic behind the female-driven musical Six. She also offers listeners a glimpse into the evening of March 12th: the day that not only marked the beginning of the theatre world’s industry-wide shut-down, but also the evening that was set to be the opening night celebration of Six on Broadway

Originally from Guernsey — an island in the English Channel — Carrie-Anne Ingrouille was nominated for an Olivier Award for her choreography for Six The Musical. She is also the choreographer of the Broadway transfer production of Six that’s made its way to the US, via stops at the Chicago Shakespeare Theatre, ART in Cambridge, MA, and the Ordway Center in St. Paul, MN.

Also serving as the resident choreographer of Hamilton in London’s West End, Carrie-Anne began her early dance career at the Avril Earl Dance and Theatre Arts Centre. At 19, she moved to London to continue her training at The Centre Performing Arts College. Since 2005, she has been a core member of ZooNation Dance Company, where she wears many hats — including Associate Director, Resident Director, Choreographer and Teacher. Her performance credits with ZooNation include – Into the Hoods, Some Like it Hip Hop, ZooNation 10th Anniversary, ZooNation: Unplugged, The Show of Life, The Mad Hatter’s Tea Party, and the handover ceremonies for the Beijing Olympics, 2008. 

Carrie-Anne’s other performing and choreography credit’s include Blaze, The Street Dance Sensation, Groove on Down the Road, Jeeves & Wooster in Perfect Nonsense, The Suicide ( at The National), “I Can’t Sing” The X Factor Musical (at The London Palladium), The 2012 International Olympic Committee Heads of State Performance, and Breakin’ Convention’s “Back to the Lab” at Sadler’s Wells.

In this new series, veteran Pod De Deux host Michael Mahany (Rock Of Ages, Wicked) is joined by fellow performers Ellyn Marie Marsh (The Rose Tattoo, Kinky Boots) and Kevin Michael Raponey (Rock Of Ages, Radio City). The trio seeks to speak with all nine of the female choreographers who were slated to bring musicals to Broadway in this unprecedented season. Read more reporting about the unprecedented year for female choreographers in Michael Mahany’s blog post, “Broadway’s Remarkable Year For Women On Broadway.”