For PDD’s first interview of 2019, Clara connected with Conductor Ming Luke over Skype. Despite being an incredibly versatile artist who conducts for a wider variety of productions than is typical in the US (as discussed in the interview!), Luke has developed expertise in conducting for dance and has served as the Principal Guest Conductor for the San Francisco Ballet (SFB) for many years. He shared incredible insight into the nuances of orchestral collaboration with dance artists, from the array of adjustments a conductor may make within a given tempo, to the “ah-ha” moment of realizing how to time the notes that correspond to a grand jeté. We also discussed the ways in which more detailed communication can improve understanding between dancer and conductor. It was particularly revelatory to hear Luke describe the joys of conducting in terms of a visceral emotional-physicality that we might just as easily apply to dance itself! Follow Ming’s always-exciting new ventures at mingluke.com.
Ming Luke is a versatile conductor whose background as a dancer gives him the perspective to excel in collaborating with dance companies. As the Principal Guest Conductor for the San Francisco Ballet (SFB), Luke has led over one hundred productions at the historic War Memorial Opera House. Embarking on eight tours with the company, he has presented time-honored classics like Cinderella and Romeo and Juliet at the John F. Kennedy Center and Sadler’s Wells. Ming Luke has also conducted for the Bolshoi Orchestra in Russia, the New York City Ballet Orchestra, Nashville Symphony/Ballet, Napa Regional Dance Company, Boston Ballet, and l’Orchestre Prométhée in Paris as part of a residency with Les Etés de la Danse. He has worked closely with some of the most preeminent choreographers of the 21st century, including Justin Peck, Christopher Wheeldon, Mark Morris, Alexei Ratmansky, and Liam Scarlett. Beyond dance, Ming Luke has worked with ensembles and orchestras across the world and conducted pops concerts in a variety of venues. He has been recognized nationally for his work with music education and holds a Master of Fine Arts in Conducting from Carnegie Mellon.
In this episode, Jessica and Clara interviewed dancer Paul Hamilton about his experience collaborating with a diverse range of choreographers including Alonzo King, Elizabeth Streb, Reggie Wilson, Ralph Lemon and Keely Garfield. He shared a bit about each choreographer’s style and process and talked about his own journey of discovering and re-discovering dance as his passion and joy. He also let us in on some of the fascinating dramaturgical processes behind Reggie Wilson / Fist and Heel Performance Group’s production of Moses(es), and Ralph Lemon’s Scaffold Room (from which the above image derived).
Soul Train was one of the influences behind Paul’s Bessie-nominated performance of Scaffold Room. Enjoy this video homage to Soul Train!(more…)
In this interview with Andrea Miller, recorded at the Brooklyn home of GALLIM Dance, we dig deep into Andrea’s unique choreographic process and discuss her current residency at the Met Breuer. Andrea describes the way in which she and her dancers develop a distinct movement language for each new piece, and she shares a fascinating example of a piece for which they drew inspiration from prehistoric, non-human movement. We also touch on the historical-cultural significance of Andrea’s 2017-18 residency at the Met as a sign of dance being recognized as an art form in its own right. Finally, Andrea speaks to the experience and personal importance of building a family without interrupting her dance career. Andrea will premiere a new durational work at the Met Breuer this month, May 22–27, 2018. If you’re in New York, don’t miss it!(more…)
In this episode, Jessica was in Havana, Cuba interviewing Marta Ortega, a dancer with Acosta Danza. Acosta Danza was formed in 2016 when international ballet star, Carlos Acosta retired from a highly regarded 30-year ballet career with the Royal Ballet and moved back to Cuba. The company commissions international choreographers such as Mats Ek and Sidi Larbi Cherkaoui to create original contemporary works on its dancers. In 2018, Acosta Danza will perform in Havana and tour in the US, Europe and Singapore. Learn more at http://www.acostadanza.com/en/
Acosta Danza will perform at New York City Center April 25-27th as part of the ¡Adelante, Cuba! Festival. Get tickets here. (more…)
In this episode of Pod de Deux podcast, Clara and Jessica interviewed Stephan Quinci while traveling in Berlin. Originally hailing from Italy and Ohio, Stephan now calls Berlin his home where he collaborates with artists and investigates his own performance work. Stephan shared how his current training in release technique influences his performance work and free expression on the Berlin Club dance floor. We talked about his dialectic process for creating conceptual performance, and the European performance landscape.
In this episode of Pod de Deux, Clara and Jessica interviewed performance curator, Ali Rosa-Salas, who serves as the Director of Performance Programs at Abrons Arts Center. We spoke about the many roles of a performance curator and how Ali approaches her work at Abrons as she strives to create a place for inquiry and community. In the process, we learned about the history of Henry Street Settlement and its founder, Lillian Wald. Clara joined Ali and Jessica via skype from Minnesota where she was visiting her family for Thanksgiving.(more…)
In this episode, we interview Fran Kirmser, co-author of the new book, A Life in Dance: A Practical Guide. Fran revealed how a class assignment turned into a quest with Rebecca Stenn to create a resource book for dancers. Fran read from the book and shared some stories from contributing artists. Throughout our conversation, we talked about the various strengths and skills dancers possess that they can rely on to make their own life in dance and beyond. Look for the book on Amazon and www.alifeindance.com. (more…)