Dancer

ALL DANCE HAS A MESSAGE: Sean Dorsey

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Jessica and Michael had a fun, energized and important conversation with Sean Dorsey, the U.S.’ first acclaimed transgender modern dance choreographer. Sean’s newest work, BOYS IN TROUBLE, unpacks masculinity with unflinching honesty from unapologetically trans and queer perspectives – and Sean likewise spoke openly about how his work incorporates and expresses unique perspectives on gender, as well as social justice. In fact, Sean shared the idea that all dance, as an inherently expressive art, is a form of social messaging for which the choreographer is responsible. He also shared some ways in which his commitment to the queer community and principles of openness impacts all aspects of his work even beyond the stage – for example using his tech rider to ensure that the spaces where his company performs include non-binary restrooms and the option of non-binary dressing rooms. It was particularly refreshing and motivating to hear details about the “terrified beginner’s welcome” workshops Sean hosts for all people of all body types, gender identities and movement levels across the country, as well as how his team’s background in activism allows them to consistently sell out shows to audiences that include many non-dancers. Let’s learn from Sean’s approach to help more people experience dance!

Sean Dorsey is an award-winning San Francisco-based choreographer, dancer and writer. Recognized as the United States’ first acclaimed transgender modern dance choreographer, he has toured his work to 30 US cities. Dorsey has been awarded five Isadora Duncan Dance Awards and the Goldie Award for Performance. He has been named in Dance Magazine’s 25 To Watch and named “San Francisco’s Best Dance Company” (SF Weekly). Most recently, Dorsey was awarded a Dance/USA Artist Fellowship. Dorsey has been awarded major support by the National Endowment for the Arts, National Dance Project, Dance/USA, and many more sources, as well as a variety of commissions from sources including American Dance Festival, Bates Dance Festival, Queer Cultural Center in San Francisco, 7 Stages in Atlanta, and more.

Dorsey’s works are powerful explorations of human experience. They are highly physical, accessible, rooted in story, and danced with precision, guts and deep humanity. His newest work is BOYS IN TROUBLE, is a powerful evening of dances that unpack masculinity with unflinching honesty – from unapologetically trans and queer perspectives.

DREAMS DO COME TRUE: PAUL HAMILTON

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In this episode, Jessica and Clara interviewed dancer Paul Hamilton about his experience collaborating with a diverse range of choreographers including Alonzo King, Elizabeth Streb, Reggie Wilson, Ralph Lemon and Keely Garfield.  He shared a bit about each choreographer’s style and process and talked about his own journey of discovering and re-discovering dance as his passion and joy.  He also let us in on some of the fascinating dramaturgical processes behind Reggie Wilson / Fist and Heel Performance Group’s production of Moses(es), and Ralph Lemon’s Scaffold Room (from which the above image derived).

Soul Train was one of the influences behind Paul’s Bessie-nominated performance of Scaffold Room.  Enjoy this video homage to Soul Train! (more…)

I ALWAYS HAVE A CHARACTER WITH A REALLY STRONG PASSION: Steven Cantor

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We recently joined Oscar nominated filmmaker Steven Cantor in the West Village office of Stick Figure Productions to talk about his new epic documentary, “DANCER.” Centered around the once-notorious “bad boy of ballet,” Sergei Polunin, this character-driven documentary instead reveals a charming and multi-dimensional dancer of prodigious talent who has a complicated relationship with his craft. In conversation with Steven, we delved further into the nature of his latest subject as well as his process of creating character-driven documentaries in general. Don’t miss “DANCER” if you haven’t seen it yet (Amazon, iTunes), and stay tuned for Stick Figure’s latest documentary (also dance-related!), “Step,” premiering at Sundance this coming January. (more…)

I AM NOT A BUNHEAD: Ask La Cour Rasmussen

Photocredit Lucas Chilczuk

Photo credit Lucas Chilczuk

Ask La Cour Rasmussen is a principal dancer at the New York City Ballet, a native of Denmark and a creative explorer in his own right. We were thrilled to have the chance to speak with Ask about his time with the Royal Danish Ballet, the Bournonville technique for which Denmark is known and his lifestyle as a professional ballet dancer at some of the world’s premiere companies. In the process we learn that Ask is not only a workout enthusiast to put any gym-goer to shame but, like, totally not a bun head. Who knew? Learn more about Ask, Balanchine, NYCB and bun heads – all in this episode!