SUNY Purchase

LLAB Ep 3: Navigating the Professional Field while Black Pt I – w/ Rena Butler and Maleek Washington

In our previous series on the LLAB, we spoke with Black dancers about their experience as dance students in undergraduate and graduate programs and the challenges they faced being minorities in those spaces. This week, we started a new two-episode topic, re-centering the conversation on what it’s like to be a professional dancer while Black. We meet concert dancers Rena Butler and Maleek Washington, and talk about their unique experiences dancing with both predominantly Black and non-Black companies, as well their experience of being overqualified.

Rena is a dancer, director, and choreographer dancing with Gibney Dance Company. Maleek is a dancer, choreographer, and educator dancing with Camille A. Brown and dancers.

This is the 3rd episode in our new fall series, The LLAB with Antuan Byers. LLAB stands for listening, learning, and building. The overall goal of this series is to create a space to share marginalized Black voices, to learn from their experiences, and dream for ways in which we can move forward.

DREAMS DO COME TRUE: PAUL HAMILTON

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In this episode, Jessica and Clara interviewed dancer Paul Hamilton about his experience collaborating with a diverse range of choreographers including Alonzo King, Elizabeth Streb, Reggie Wilson, Ralph Lemon and Keely Garfield.  He shared a bit about each choreographer’s style and process and talked about his own journey of discovering and re-discovering dance as his passion and joy.  He also let us in on some of the fascinating dramaturgical processes behind Reggie Wilson / Fist and Heel Performance Group’s production of Moses(es), and Ralph Lemon’s Scaffold Room (from which the above image derived).

Soul Train was one of the influences behind Paul’s Bessie-nominated performance of Scaffold Room.  Enjoy this video homage to Soul Train! (more…)

BALLET IS A FEELING: Jeremy Nedd

Jeremy NeddWe made it to episode 10 and what a year it has been!  In this episode, we talk to dancer/choreographer/sound designer/DJ Jeremy Nedd about dancing in New York City for dance luminary Kyle Abraham and his experience in Europe as a dancer, choreographer and sound designer.  We chatted and wondered about dance snobbery, audience engagement, and intellectual and conceptual dance traditions. Our favorite quote from Jeremy: “Ballet is a feeling.” We could not agree more. Jeremy Nedd studied at SUNY Purchase and danced in New York City before relocating to Europe to dance with the Dresden SemperOper and the Basel Ballett.  He has had the opportunity to perform works by Forsythe, Kylian, Thoss, Ekman and others.