In this episode we speak with Greg Miller, founder of Dance Parade New York. We were fascinated to learn that Dance Parade was started in response to New York City’s Cabaret Laws, restrictive laws that require business owners to obtain an expensive Cabaret License in order to allow dancing in their establishments. Upholding the Cabaret Laws, the courts went so far as to say that “dance is not expressive.” We couldn’t disagree more, as you’ll hear in our further discussions with Greg about the 5Rhythms technique and the expressive community of Burning Man. Be sure to attend this year’s Dance Parade on Saturday, May 21st, where you’ll see 81 forms of dance! Learn more at http://danceparade.org/ and at https://www.facebook.com/DanceParadeNY.
In this episode with Ron Honsa, Filmmaker and Executive Director of Moving Pictures, we continue coverage of the Dance on Camera Festival (DOCF), leading up to PDD’s “takeover” on Saturday, February 13th! Ron Honsa’s documentary about Ted Shawn and His Men Dancers, The Men Who Danced, will be honored this year at DOCF, 30 years after its initial release. Jessica sat down with Ron and learned more about his historical and contextual approach to documentary filmmaking, as well as the importance of Jacob’s Pillow, Ted Shawn, Ruth St. Denis, and the Denishawn Dance Company to the development of American modern dance. Ron also revealed how he learned to film dance through a chance encounter with Alwin Nikolais and shared advice for dance filmmakers. The Men Who Danced will screen on Sunday, 2/14 followed by a moderated discussion with Norton Owen and Ron Honsa. The festival runs February 12th – 16th; tickets are still available here!