In this episode we speak with dancer and choreographer Loni Landon about her process of creating lush, captivating movement and the influence of her early career in Germany on her collaborative choreographic process. Importantly, Loni illuminated the difficulty of cultivating an artistic life that pays the rent, even as a dance artist who is widely regarded as enjoying early success and potential. We felt inspired by her proactive approach to changing the dance world for the better as we learned about her enthusiasm for pursuing collaborative projects and dance-based experiences with other artists, as well as her founding of The Playground, a financially accommodating space for dancers and choreographers to come together and explore (www.theplaygroundnyc.org). Don’t miss Loni’s choreography with Keigwin & Co at the Joyce, Dec. 8th, 10th and 12th: http://www.keigwinandcompany.com/event/kc-returns-to-the-joyce-theater/
We made it to episode 10 and what a year it has been! In this episode, we talk to dancer/choreographer/sound designer/DJ Jeremy Nedd about dancing in New York City for dance luminary Kyle Abraham and his experience in Europe as a dancer, choreographer and sound designer. We chatted and wondered about dance snobbery, audience engagement, and intellectual and conceptual dance traditions. Our favorite quote from Jeremy: “Ballet is a feeling.” We could not agree more. Jeremy Nedd studied at SUNY Purchase and danced in New York City before relocating to Europe to dance with the Dresden SemperOper and the Basel Ballett. He has had the opportunity to perform works by Forsythe, Kylian, Thoss, Ekman and others.
Brock Labrenz of An Films is a New York-based director who harnesses his extensive background in performance to create deliberate and sensual audio-visual experiences. His creative endeavors find him somewhere between the exactitude of modern cinema and the ephemeral transition of the body through space.
In this episode, Brock shared his experiences training as a dancer at Juilliard and dancing for William Forsythe–in particular, Forsythe’s creative process. We learned what it was like investigating Forsythe’s concept of choreographic objects in Nowhere and Everywhere at the Same Time and how audiences engaged with this work. Brock also revealed how his interests in dance and film developed over time and how both mediums support his current work.
We had an intriguing discussion about the role of the choreographer in developing audience values and the importance in creating a conversation with the audience around a concept or process. We also discussed how work conditions in the US and Europe have varying effects on the creative process and performance experience.
In this episode we chat with triple threat Writer/Director/Choreographer Wendy Seyb about her experience bringing comedy to movement in dance, theater and film. Wendy tells us about finding her niche in comedy, choreographing The Pee Wee Herman Show for Broadway and watching the dance world evolve over time. As usual we uncover some fun tidbits along the way – like Wendy’s role as Sebastian the Crab on the Disney stage!
In our fourth episode of Pod de Deux podcast, we have a friendly chat with William Cannon, a professional contemporary dancer. He talks about his recent transition to freelance work in NYC, emerging trends in contemporary ballet, recent projects with The Metropolitan Opera and Twyla Tharp, and fond experiences working with contemporary choreographers like Christian Spuck, Cayetano Soto, and Nicolo Fonte. We also shared views on dance reviewers, dance on television, and interesting work being presented in NYC.
This episode was recorded at Btoven Music Studio in Manhattan. http://btovenmusic.com/