Jessica and Clara visited choreographer and founder of BalletCollective, Troy Schumacher (and his cute dog Shallot), at his sunny apartment in NYC. We learned about Troy’s collaborative approach to creating ballets by integrating artists who work in different mediums, such as music and photography, into the process and presentation of work. We also discussed his current aesthetic interests and were impressed by his ability to balance the demands of multiple roles: choreographer, director of a contemporary ballet company and not least of all, ballet dancer with NYCB. We had the pleasure of seeing BalletCollective perform last fall and we look forward to seeing the company again on October 27th and 28th at NYU Skirball Center in Manhattan. Buy tickets before they sell out! Oh, and if you too are curious to see the “World’s Greatest Victory Dances” that Troy choreographed for PlayStation, check out the playlist on YouTube. (more…)
Audience members of all ages shared their love for Natalia Makarova after a screening of her self-directed Ballerina Program 1: Body and Soul–the first section of a four part BBC Documentary series. They gushed over her career, partnerships, free spirit, charm, and her lasting influence on ballet.
We were thrilled to speak with Pod de Deux’s first Broadway dancer in this episode with Dancer/Choreographer Bennyroyce Royon. Currently a cast member in the Broadway revival of The King and I, as well as Artistic Director of BENNYROYCE DANCE, Bennyroyce had plenty of insight to share about how the concert dance world compares to Broadway, the conversational process behind this larger-than-life Broadway production, and the balancing of identities as a busy dance maker. Don’t miss him in The King and I, and don’t miss the next BENNYROYCE DANCE performance on April 21st at Hostos Center for the Arts & Culture.
In this episode we found ourselves traversing a wide range of dance territory with the accomplished Costume Designer and Dancer, Reid Bartelme. We spent the majority of the hour exploring Reid’s process of finding his footing as a latecomer in the ballet world, where he nonetheless achieved early success dancing with some of North America’s top companies. We eventually got into costuming talk and speculated about dance in the world more broadly, questioning where responsibility lies for developing cross-genre understanding. In this episode you’ll get a lively look inside company life and a dancer’s mind!
In this episode we speak with dancer and choreographer Loni Landon about her process of creating lush, captivating movement and the influence of her early career in Germany on her collaborative choreographic process. Importantly, Loni illuminated the difficulty of cultivating an artistic life that pays the rent, even as a dance artist who is widely regarded as enjoying early success and potential. We felt inspired by her proactive approach to changing the dance world for the better as we learned about her enthusiasm for pursuing collaborative projects and dance-based experiences with other artists, as well as her founding of The Playground, a financially accommodating space for dancers and choreographers to come together and explore (www.theplaygroundnyc.org). Don’t miss Loni’s choreography with Keigwin & Co at the Joyce, Dec. 8th, 10th and 12th: http://www.keigwinandcompany.com/event/kc-returns-to-the-joyce-theater/
We made it to episode 10 and what a year it has been! In this episode, we talk to dancer/choreographer/sound designer/DJ Jeremy Nedd about dancing in New York City for dance luminary Kyle Abraham and his experience in Europe as a dancer, choreographer and sound designer. We chatted and wondered about dance snobbery, audience engagement, and intellectual and conceptual dance traditions. Our favorite quote from Jeremy: “Ballet is a feeling.” We could not agree more. Jeremy Nedd studied at SUNY Purchase and danced in New York City before relocating to Europe to dance with the Dresden SemperOper and the Basel Ballett. He has had the opportunity to perform works by Forsythe, Kylian, Thoss, Ekman and others.
Ask La Cour Rasmussen is a principal dancer at the New York City Ballet, a native of Denmark and a creative explorer in his own right. We were thrilled to have the chance to speak with Ask about his time with the Royal Danish Ballet, the Bournonville technique for which Denmark is known and his lifestyle as a professional ballet dancer at some of the world’s premiere companies. In the process we learn that Ask is not only a workout enthusiast to put any gym-goer to shame but, like, totally not a bun head. Who knew? Learn more about Ask, Balanchine, NYCB and bun heads – all in this episode!