Author: clarapy

Clara is a freelance film Producer and Grant Writer in New York City. She spends her "free time" surfing Facebook, talking to her mom and plotting to take over the world - one half-finished essay at a time. @clara_peterson

2019 BESSIE NOMINEE: Caleb Teicher

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Pod de Deux interviewed Caleb Teicher as part of a series of interviews with five 2019 NYC Bessie Award nominees. Caleb was nominated for a Bessie for outstanding production in More Forever Guggenheim Works & Process. We hope to do a full-length interview with him in the future!

Caleb Teicher began his dance career as a founding member of Michelle Dorrance’s celebrated company, Dorrance Dance, in 2011. Other favorite performance credits include The Chase Brock Experience, Syncopated City Dance Company, The Bang Group, Sally Silvers & Dancers, and West Side Story (Int’l Tour and London).

Since founding Caleb Teicher and Company (CT&Co) in 2015, Teicher’s creative work has expanded to engagements and commissions from The Joyce Theater, New York City Center, Works & Process @ The Guggenheim, The Kennedy Center (with Ben Folds & the National Symphony Orchestra), “Regina Spektor on Broadway”, and many others. 

Caleb is a 2019 New York City Center Choreographic Fellow, a 2019 Bessie Award Nominee for Outstanding Breakout Choreographer, one of Dance Magazine’s 2012 “25 to Watch”, and a 2011 Bessie Award Winner for Outstanding Individual Performance. His work has been featured in publications including The New York Times, NPR, Forbes, Dance Magazine, Vogue, and Interview Magazine.

Caleb continues to engage with dance communities as an instructor at international Tap and Jazz Dance festivals. He is a proud alum of the School at Jacob’s Pillow and the National YoungArts Foundation.

WE WERE MAKING A LOT OF NOISE: John Kelly

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Jessica and Clara interviewed choreographer, dancer, actor, and director, John Kelly, in between rehearsals for his work “Underneath the Skin,” premiering at NYU Skirball this weekend, October 11th & 12th! John took us through his constellation of muses, influences, and inspiration through the years, from his first sighting of baby ballerina on the Ed Sullivan Show, to Nureyev and Fontaine dancing Romeo and Juliette on television, to his training at ABT, followed by the Harkness School with David Howard – and then on to his chats with Gelsey Kirkland, working with Charles Weidman, painting portraits as an artist, watching punk drag queens at Pyramid, and dancing with Larry Ray’s original Trockadero company, the Cockettes. Through this journey, John talked about how he became drawn to art with physicality and expressionism.  For his upcoming show, “Underneath the Skin,” we learned about John’s process of weaving Samuel Steward’s writings, life story, and LGBT history into the theatrical narrative and rich visual design while paying homage to Steward’s heros, Walt Whitman and Oscar Wilde. (more…)

I WANT TO ERASE BOUNDARIES: Anabella Lenzu

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Jessica sat down with Argentinian dance and dance-theater artist Anabella Lenzu to discuss her impressive body of work and philosophies on life and art. Not only a dancer and choreographer, but also an author and dedicated teacher, Anabella had in-depth perspectives to share on a wide range of topics, including the inseparability of life and creative work; the impacts of technology and social media; how the US and South America differ in their approaches to dance and dance pedagogy; and the process of helping her students find focus and make life choices in an ever-present sea of distractions. Anabella emphasized the importance of maintaining curiosity as an artist and dissolving the often restrictive boundaries between disciplines, communities, individuals and more. Her own enthusiasm for her work was a pleasure to experience! Keep your eyes peeled for Annabella’s second book, “Teaching Dance through Meaningful Gestures,” in 2020. (more…)

EVERYONE HAS A BODY: Troy Ogilvie

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Early in 2019, Clara sat down with Troy Ogilvie – Choreographer, performer and improv teacher – for a wide-ranging conversation that revealed Troy’s deep-seated “JOD (joy of dance)” and many insights into the process of creating movement from a place of purpose. Troy introduced us to the terms kinesphere and proprioception and described her own fascination with the tension between structure and spirit that we find at the heart of dance. She also told us about performing as Lady Macbeth in the world-famous interactive show Sleep No More! Troy teaches improv at Peridance every Wednesday at 10am. You can follow her @troyanosaurus and learn more at http://troyogilvie.squarespace.com/! (more…)

THE SOUND IS LITERALLY GOING THROUGH YOU: Ming Luke

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For PDD’s first interview of 2019, Clara connected with Conductor Ming Luke over Skype. Despite being an incredibly versatile artist who conducts for a wider variety of productions than is typical in the US (as discussed in the interview!), Luke has developed expertise in conducting for dance and has served as the Principal Guest Conductor for the San Francisco Ballet (SFB) for many years. He shared incredible insight into the nuances of orchestral collaboration with dance artists, from the array of adjustments a conductor may make within a given tempo, to the “ah-ha” moment of realizing how to time the notes that correspond to a grand jeté. We also discussed the ways in which more detailed communication can improve understanding between dancer and conductor. It was particularly revelatory to hear Luke describe the joys of conducting in terms of a visceral emotional-physicality that we might just as easily apply to dance itself! Follow Ming’s always-exciting new ventures at mingluke.com.

Ming Luke is a versatile conductor whose background as a dancer gives him the perspective to excel in collaborating with dance companies. As the Principal Guest Conductor for the San Francisco Ballet (SFB), Luke has led over one hundred productions at the historic War Memorial Opera House. Embarking on eight tours with the company, he has presented time-honored classics like Cinderella and Romeo and Juliet at the John F. Kennedy Center and Sadler’s Wells. Ming Luke has also conducted for the Bolshoi Orchestra in Russia, the New York City Ballet Orchestra, Nashville Symphony/Ballet, Napa Regional Dance Company, Boston Ballet, and l’Orchestre Prométhée in Paris as part of a residency with Les Etés de la Danse. He has worked closely with some of the most preeminent choreographers of the 21st century, including Justin Peck, Christopher Wheeldon, Mark Morris, Alexei Ratmansky, and Liam Scarlett. Beyond dance, Ming Luke has worked with ensembles and orchestras across the world and conducted pops concerts in a variety of venues. He has been recognized nationally for his work with music education and holds a Master of Fine Arts in Conducting from Carnegie Mellon.

I JUST FIGURE IT OUT: Amy Jordan

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We hope you’ll derive inspiration for the new year from our interview with the awe-inspiring Amy Jordan – author, inspirational speaker, consultant, choreographer and classically trained dancer! Amy spoke with us about overcoming the many challenges life has brought her, with dance as a backdrop of strength and renewal.  She talked us through her D.A.N.C.E. method of approaching situations: determination, acceptance, never-give-up, courage, and enthusiasm. (You can learn more about it in her new book, Dance Because You Can: 5 Steps to Transform Trauma into Triumph, available on Amazon!) Amy also emphasized the importance of continuing to seek, strive and work through every challenge in life as an ongoing process, rather than giving in to what may be an increasingly prevalent mindset that sees success and failure in black and white terms. Enjoy the conversation, and happy 2019!

Amy has Type 1 Juvenile Diabetes and fought most of her life to  hide it. As a professional dancer, she experienced complications from the diabetes that caused her to lose sight in one eye becoming legally blind.  Unable to continue her dance career, she turned her attention to supporting others living with diabetes. This began her life-long work as an advocate and motivator. She founded the SWEET ENUFF Movement to help prevent childhood obesity through dance and exercise, which became a top 5 national finalist of First Lady Michelle Obama’s ‘End Childhood Obesity Challenge.’

Amy faced another major life challenge when she was hit and run over by a bus while living in New York City.  The accident nearly ended her life, and her leg came close to being amputated. She used her dance training and discipline to survive dozens of surgeries and managed to regain use of her leg. After years of rehabilitation, Amy returned to fitness classes, began choreographing and returned to her essence as a dancer in 2014 when she founded The Victory Dance Project, a NYC-based professional dance company. Today, Amy strives to inspire and motivate others to overcome ANY adversity.  She continues to choreograph and and is a sought-after motivational speaker and coach.  Amy shares her unique DANCE philosophy in her signature presentation Dance because You Can. She believes that the process of Creating Your Own Victory Dance is the key to success in business, leadership and life.  Amy’s book, Dance Because You Can: 5 Steps to Transform Trauma into Triumph was released in October 2018.  

YOU WILL HAVE NO IDEA UNTIL YOU SIT DOWN: Paul Lightfoot

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We were so happy to have the privilege of squeezing in an interview with Paul Lightfoot, Artistic Director of Nederlands Dans Theater, while he was briefly in town for New York City Center’s 2018 Fall for Dance Festival. Paul’s lively enthusiasm made for a conversation that was both informative and entertaining! He shared insight into what he and Sol León each bring to the table in their long-standing choreographic/life partnership, described the origin of the pieces that NDT2 will be presenting at City Center in January (16th-19th), and painted a great picture of the bold history of NDT. Of course we also had to express our awe for NDT’s famously prolific dancers, with whom Paul claims to be “in love, with each and every one of them!” Get tickets here to see NDT in January!

Paul Lightfoot is Artistic Director of NDT. He joined the company in 1985, starting as a dancer with NDT 2. Two years later Lightfoot joined NDT 1, where he danced until 2008. During this time, he started choreographing in collaboration with Sol LeónLeón and Lightfoot have been a prolific and widely known choreographic duo since 1989. Together they have created more than fifty pieces for the company, for which they have received prestigious awards. In 2002 León and Lightfoot were appointed house choreographers for NDT. In 2011, Lightfoot was appointed Artistic Director. 

Nederlands Dans Theater is recognized as one of the most prolific and creative contemporary dance companies in the world. It consists of two multi-national companies: NDT 1 and NDT 2. The latter gives classically trained dancers (between the ages of 17 and 23) a chance to develop their artistic personalities during a three-year trajectory. NDT 1 consists of 28 dancers, each one excelling in their solo qualities and renowned for their versatility, astonishing technique and virtuosic expression. Since its inception in 1959, NDT has built a rich, ambitious and idiosyncratic repertoire of over 600 works by master choreographers such as Jiří Kylián and Hans van Manen, León and Lightfoot, associate choreographers Crystal Pite and Marco Goecke, and high-profile guests such as Ohad Naharin, Nacho Duato, William Forsythe, Hofesh Shechter, Sharon Eyal & Gai Behar, and many many more.